LJ asked me to go on the show to talk about the emerging phenomenon of self-publishing, mainly fueled by the print-on-demand revolution. You can see what  I thought two years ago. My how things have changed, in only two years. Note how little we talk about ebooks! That’s where the action is nowadays.

Maybe I should go on Click again to update LJ on my opinion now… because as some beady-eyed members of the Joshua Files Facebook group may have spotted, I myself will be testing the waters in the brave new world of publishing and putting out an indie-published techno-thriller for older readers, set in the fictional world of The Joshua Files around May 2012…

LJ meanwhile has been developing her talents as a musician. Her latest album features her own gorgeous arrangements of traditional Christmas music, performed by LJ herself. Very tasteful and classically inspired, with a touch of gospel. I think my favourite is “I Saw Three Ships”. Perfect background music for a Christmas drinks party or the long drive to visit family, I’d say.

You can preview or download here at http://www.cdbaby.com/cd/ljrich3

(Big announcement about Joshua 5 over on themgharris.com, btw)

Rewriting, as any author will tell you, is mentally exhausting. You have the editor’s notes that point out all the flaws in your manuscript, all that’s needed is to fix things. Sometimes this means breaking your plot and putting it together in a better configuration. I received my editor’s notes whilst on holiday in Spain. During  a long swim, I mentally put together the new, improved plot. Luckily, it still seemed to work when I returned to my computer.

So after emailing the second draft of Joshua 5 to my editor, I’m now free to write about two exciting upcoming events I’m involved in. Two events which demonstrate the awesomeness of Oxford.

The first, next Saturday, is the 2nd Kennington Literary Festival. In aid of the wonderful little Kennington Village Library, this event is pure ‘localism’. You can come along and meet Oxford authors including Bill Heine, Brian Aldiss, Korky Paul and also – me!

Here’s the article in The Oxford Times:  Literary line-up to aid village library

You can download the full brochure for the Kennington Literary Festival 2011. Or later today you can go pick one up from Starbucks in Summertown or the Jericho Cafe, where I will be dropping some leaflets.

BBC Oxford’s Jane Markham interviewed me about Joshua Files, time-travel fiction and the Kennington Festival – you can listen on the interviews page.

My event is on SATURDAY 15TH OCTOBER 2.20pm-3pm. Free for under 16s! Send your teenagers along to hear some Joshua secrets, tea and biccies in the village hall afterwards.

Meanwhile fellow Oxford author Dan Holloway and I seem to have successfully lobbied Blackwell’s, Oxford to organise an event to celebrate the launch of our beloved Haruki Murakami’s new book, IQ84. Read more about our plans here: We Love Murakami. I’ll be making Cosmopolitans and Coolman Martinis, still deciding on which mocktails… Dan might be making Wind-Up Bird spaghetti. Any volunteers to make rude phone calls to him while the pasta cooks?

So much excitement! And Swindon Youth Literature Festival coming up in November!

Meanwhile I will now work on Surprise New Project – an adult techno-thriller set in the Joshua Files universe. More on this soonish! And Ultra Secret New Project, about which I am still keeping mum…

Like Jenkins I’m as interested in the cultural as well as publishing implications of Pottermore. I was slightly startled to see Youtuber Alex Day (nerimon) respond within hours with his video What the F**k Is Pottermore? (over 200,00 views since posted, as of today).

Was this some kind of new backlash against an author trying to control how fans play in the sandbox she created? Or just a disguised version of the all-too-familiar Potter-envy, which has resulted in a tedious stream of law suits, and critical sniffiness, such as this think-piece by a author A.S Byatt?

Two of the comments by Alex Day struck me. First, he seems to resent to being referred to as part of the ‘digital generation’. Maybe like me, nerimon senses that this is yet another spurious term trying to pin down something which marketeers don’t actually understand. Those crazy digital people! Yes. That’s right. Fear us, we are strange and pixelated!

Secondly, he suggests that if one feels strongly enough about which Hogwarts house you might be in, if such a thing actually existed, you should be able to decide for yourself.  Official or not, you shouldn’t need the official website to dictate. (Alex feels loyal to Ravenclaw. When I did the test on Facebook, it picked me as a Gryffindor. But I’d have chosen Ravenclaw too, probably.)

In Three Reasons Why Pottermore Matters, Henry Jenkins addresses whether authors should try to control the extent and manner in which which fans interact with their creation. Jenkins coined the term ‘textual poacher’ for such fans, and he’s written extensively on the phenomenon of fan fiction, in which readers/viewers appropriate published or broadcast material for their own creativity.

Where do I stand? Well, for once I have a foot in both camps.

Like a few other newish YA authors (e.g. Cassandra Clare, author of The Mortal Instruments books), I began my writing career as a ‘textual poacher’. Back in the late 1990s my good friend Reba Bandyopadhyay and I started the first online Blake’s 7 fan fiction zine.*

Without the literary multi-gym of fan fiction, I would probably never have become a published author. Writing Blake’s 7 fanfic developed me as a writer, it also introduced me to some wonderful friends.

So I’m in favour of the fan-created world. Long may it live!

On the other hand, now I’m an author too. And the world of The Joshua Files doesn’t stop at the books. There is a whole other novel in the form of the Alternate Reality Game, The Descendant. Who killed Josh’s godfather, PJ Beltran, and why? Where is PJ’s teenage daughter, Gabi? The answers these questions are answered in the form of over 50 videos, blogs, secret messages in Habbo Hotel and a code in the UK and US editions of the second Joshua book, ICE SHOCK.

Then there’s Josh’s new secret blog, which provides glimpses into his life before and after the fourth adventure DARK PARALLEL. Fans are beginning to comment on Josh’s blog, to interact with him. But fans have also created their own versions of Josh’s blog, and have inserted themselves as new characters in the investigative drama that is The Descendant, they’ve made their own video trailers.

I think this is more than cool – it’s essential to real growth of a story. A story really only takes off when it has been poached. Hence all the versions of Robin Hood, the Merlin story, etc. Now we have modern day equivalents – the new Star Trek movie franchise kicked of by JJ Abrams is a professionally-produced AU (alternative universe) Trek fanfic.

But authors should be able to play too! That’s what Pottermore is – the author’s own personal sandbox, or as Youtuber Mickeleh says in his response to nerimon (What’s Pottermore? I’ll Tell You) – it’s JKR’s “own personal bandcamp”.

Join the author there if you want, if not, don’t. Mind you, it will be the only way to buy HP ebooks.

However! Chin-stroking commentators who write that it’s the end of publishing as we know it, fundamental paradigm shift etc, may have missed something.

Pottermore is a closed shop – a site for HP fans only where they can only buy HP-related products. That’s fine when you have hundreds of millions of readers.

If you don’t, if you are, oh I don’t know, lemme see, almost anyone else on the planet, you probably still need to sell your books, e or paper, in a place where other books are sold.

Never underestimate the power of cross-buying, impulse buying and the all-powerful bookseller’s tool, 3-for-2. Or indeed, Amazon’s witchy ways of figuring out what customers like to read.

Pottermore is like a cheese shop that only sells gorgonzola. Great if you love gorgonzola, but a fan of cheddar, cheshire or brie isn’t likely to wander into there by mistake and give it a try.

Like, I suspect, all other authors in the world, when my books go digital later this year – next week for ICE SHOCK – I want them sold at all the outlets possible. Breathe easy, Amazon et al. There’s only one Harry Potter.

*Reba has read everything I have ever written and from the beginning commented as seriously on my Blakes7 fanfic as she does now on Joshua Files and the manuscript for Ultra Secret New Project. I promised to base a character in Joshua Files on Reba, so Joshua readers will be visiting Reba at her observatory in Joshua 5…

Joshua 5 - soon on Kindle?

A day does actually arrive when you find yourself typing the final words of your multi-volume young adult series. My final Joshua Files day didn’t have the intense drama of JKR finishing Harry Potter, naturally, because we can only imagine the pressure she must have been under.

And there’s also the sheer levels of immersion – all five Joshua adventures weigh in at around 375,000 words. That’s only one-and-a-half of the longer HP books!

There was however, one tiny similarity, which is that I too will admit that I had written the final page long before I finished the series. I think I wrote it back in 2009 when I was writing Zero Moment (Joshua Files 3). There’s a scene in that installment – let’s just call it the surreal bit – which put me in just the right, slightly sentimental mood. And I knew, quite suddenly, how I wanted to end The Joshua Files.

That kind of mood is difficult to bring about on demand. There are ways to get close, but if it should happen that one day you find yourself in the right emotional state to put down a particularly tricky or evocative scene, I find it’s best to go with it, drop everything and write it down.

Which is what I did that day in 2009. So when it came to the day of finishing Joshua, I had the most difficult part already drafted.

Here’s what I did that day. It was a perfect writing day – no author events that day, daughters were both at school, husband was out at meetings. I was guaranteed to have no interruptions. I had about one chapter left to write, then slide in the final scene and polish it up.

I made some toast with marmalade, brewed a cafetiere of coffee, dropped myself in the sofa in front of the 1980s movie ‘Risky Business’, the movie which launched a very young Tom Cruise to mega-stardom.

No idea why I picked that movie – it was on the Sky box and I was wondering if it was as good as I remembered.  As soon as the music started I realised that I’d forgotten just how great that soundtrack was, with the electronic dance music of Tangerine Dream. As Joel’s life fell apart, with his hopes of a place at Princeton seeming to melt away under mounting disasters, Joel seemed to snap. An almost joyous, freeing sense of fatalism overtook Tom Cruise’s character. The Tangerine Dream track ‘Love On A Real Train’ kicked in, with a relentless, yet emotionally detached drive.

I saw immediately what I wanted to write and exactly how Josh might feel during the climactic moments of Joshua 5. Like Joel from Risky Business – all the best laid plans of his young life are suddenly under threat.So, I rushed upstairs, added the track to the growing Joshua Files playlist on we7, plugged the computer into surround-sound speakers and played the track.

Perfect – just the right sense of tension, urgency and drive, yet underneath it all I could sense that Josh, like Joel in Risky Business, would feel control slipping away from his hands and into the hands of some external force; destiny. And in that moment, like Joel, who grins and says ‘F**k it”, a part of Josh is resigning himself to fate.

I finished the scene, added the finale that I wrote in 2009 and gave both scenes a brief polish.

I was done by lunchtime. I went out into the street feeling a stone lighter. On the way to pick up my daughter I passed BBC Oxford’s Bill Heine and rolled down the car window to yell ‘I’ve finished The Joshua Files’. Bill gave me a huge thumbs-up.

And that was it. No trauma, no sadness. Quite a bit of satisfaction, if I’m honest.

Will there be more Joshua? Who knows. I leave Josh in a place that wouldn’t make it difficult to allow him to continue his adventures. Yet part of me feels that the kid should be allowed to live a normal life, play his guitar, write his songs and date a girl, without having to save the world and evade death every few months.

If you’re interested, here’s the Joshua Files playlist, featuring all songs that are mentioned, quoted or alluded to in the series, roughly in order.

The final four tracks are from Joshua 5. For now, that’s the only clue you get…

World Book Day 2011 - St Barts, Newbury

So we come to the final post of the Dark Parallel Reverse Diaries wherein by a time paradox I revisit the early days of the launch of the fourth Joshua book and jump back to weeks before all the last few entries. In fact in chronological order this post fits between Author Visits 2011. C’mon in, sit a spell and Return to Eggli Mountain.

Weeks before the launch of Dark Parallel, I’d managed to get my hands on a bunch of ARCs (Advance Review Copies) as well as a very small number of finished copies. With these in my suitcase, I set off across the land, well across Oxfordshire and Berkshire. Kids were pretty excited to have a chance to win one of these rare ARCs and early copies of the fourth book. Winners won their copies by winning a badge-guessing contest about authors, or a quiz about Joshua Files, or by designing an alternative cover of on of the Booked-Up listed titles.

Yr 7 student's design for Invisible City

I showed the new trailer for Dark Parallel to audiences of hundreds, and was relieved to see that the young actor playing Josh still looks good when his face is blown up to cinema-screen size! Kids were also treated to some of the behind-the-scenes footage from the brief filming session.

After a full week of visits, I was off to Switzerland for the two-day visit to College Du Leman, Geneva. (This is where the weekend of relaxing at the Eggli Mountain blog post fits in…)

Visiting CDL was a hugely fun experience, although a bit daunting – five sessions each with around 200 students. And one session en francais! I’d had massive help from the French publishers of Joshua, who had translated a transcript of the talk I’d prepared. But as I looked over the notes in the hotel the night before, I realised that I hadn’t spoken French for any length of time for 25 years. Even reading it aloud – was I going to be comprehensible? Well I won’t lie – I practiced a bit, and crossed my fingers that the kids would be able to understand my lazy English accent.

First ever signing of "Operation Joshua"

It was fascinating to observe the differences between schools in England, the English-language side of CDL and the French-speaking side. In England, especially in state schools, students were expected to be quiet whilst waiting to hear the talk, and were occasionally reminded. Afterwards they were allowed to show their excitement, queuing for autographs and photos.

In the English-speaking strand of CDL the corridors looked like US high-schools with casual hanging around lockers. Once in the hall, the students chatted quietly but weren’t expected to be silent while waiting. The French-speaking strand of CDL, a classical Lycee type education, were used to much stricter teaching conditions, absolute silence in class, for example. But for a more entertaining session like an author visit, these same kids kicked back and relaxed, and the teachers were fine with that.

In fact the French-speaking grades 5&6 were the most energetic and excited group I had ever visited! They clapped along with the music in the videos, they whooped and cheered, they clamoured to ask questions at the end.

Three different styles of behaviour management, but all worked out pretty well with the kids seeming happy and relaxed. It was a pleasure to meet everyone and I’m delighted that quite a few young people added me on Facebook in the following days and weeks.

Thanks so much to all the wonderful school librarians and teachers who invited me into school, as well as to Krysia Rodak and all the brilliant Parent Faculty Association of College Du Leman for such a wonderful visit to Geneva!

MG at College Du Leman

Joshua readers at College Du Leman

Pyjamas, Crazy Hair and Joshua Files

Yeah! First time showing DARK PARALLEL in Australia, Melbourne to be precise, St John’s Primary School, Clifton Hill. My good pal, Professor Magda Plebanski (already known to this parish…) is a resident of those parts and kindly arranged for me to visit the school during my brief but lovely stay with Magda and her family.

(Photo kindly taken by Little Daughter on my BlackBerry!)

The reason for such a wonderful opportunity to spend time in Australia was the wedding of my baby sister Adriana to Shay. That’s two of my sisters married to Australian men!

As luck would have it, Adriana and Shay also live in Melbourne, which gave me the extra excuse for a long-overdue catch-up with Magda.

(Also known to this parish in another, more secret capacity…as the alter ego of Dr Magda Poborsky. Leave a comment if you understand the cryptic reference…I like to keep tabs on the ARGers…)

Adriana and Shay get married

Adriana and Shay were married in a Persian ceremony at a Victoria State heritage property, the Boyd-Baker House.

It was my first time meeting Shay, who is a lovely guy, just what you would love in a brother-in-law. Also my first time meeting my sister Grace’s partner, Lance, a former WWF wrestler of the Von Erich wrestling family!

Honestly, the people you meet in the Caribbean, you wouldn’t believe it.

My sister Grace and the still-fabulous Lance.

The weird thing was that I was meeting all these Mexican family and friends (Magda) in Australia! Adriana’s childhood friends joined Shay’s friends and family (many from Iran) to dance the night away. I went to bed early but may or may not have walked back through the woods in full moonlight – the ‘Super’ moon to get cake at 3.30am….

And it was pretty strange, to be having that experience, so far away from where we all started out.

Australia! It’s a heck of a long way away but you can’t forget it!

I say ‘events moving so rapidly’ but mainly it’s down to one thing: naughty me, I still haven’t finished Joshua 5! My deadline is mid-May. My stretch-deadline is end of May. Cue a bunch of writerly excuses worthy of Ed Reardon himself. But basically, that’s the deal. If I’m going to avoid a late delivery then I need to write, write, write like the wind!

But, my dear blog readers, all blessed six of you, you all still want to hear about DARK PARALLEL, don’t you?

So watch out for the Dark Parallel Reverse Diaries! They start with the launch party and end with the very first time I showed off a shiny new copy of Dark Parallel in a school. College Du Leman, your photos will soon be here…

You can find photos of the Dark Parallel launch party on Flickr. Thanks to everyone who attended, I hope you enjoyed it as much as I did! The focus this year was on the friends and readers who helped me to make the live action sequence that appears in the Dark Parallel book trailer. We watched the ‘making of Dark Parallel’ film and oh, we did chortle. We also ate cake. There was an after-party at the pub, we sat outdoors!

April is a great month in which to release a book. Thanks to all at Scholastic for another great job with a shiny new book!

Mark Robson and MG Harris

The DARK PARALLEL launch season began with a lovely event at Waterstone’s Milton Keynes, where I was joined by the dashing former RAF pilot, YA author Mark Robson.

We swapped books and decided to interview each other about our latest offerings. Mark’s latest is a VERY shiny new exciting thing, a book about an adventure in the Bermuda Triangle! Massive coolness. I’ll be telling you about it in a few days. But for now – the interview swap. you remember how this works from my recent swap with Katherine Langrish. Interview with MG Harris about DARK PARALLEL over at Mark’s place – Trapped by Monsters. Interview with Mark Robson about THE DEVIL’S TRIANGLE here at The MG Harris Blog.

Mark, you’ve been a regular on the children’s and YA literature scene for a few years now and are something of an expert when it comes to school visits! But for readers who may not have met you in their school or read your books, can you summarize your writing career and the fictional worlds you create?

Firstly, I never intended to be a writer.  I was a pilot in the RAF and loving it, but whilst on detachment in the Falkland Islands, I got bored and irritable – so much so that my navigator uttered the life changing words ‘For goodness sake, Mark!  Do something useful.  Go write a book, or something!’  I took this as a challenge and have been writing ever since.

My first series of books were very much inspired by Tolkien’s Lord of the Rings. I wanted to write something that had a similar story arc, but that was more action driven and that utilised my military background.  The Darkweaver Legacy was the result, out of which evolved my second series – The Imperial Trilogy – the story of a nineteen year old female spy who makes an enemy of a top assassin.  By now I was no longer in the RAF, as I’d turned full time as a writer, so I felt the time was ripe to write a flying story.  Dragon Orb a series of four high action dragon stories bring dragons from a fantasy world into World War I France, where they fly in secret with the Royal Flying Corps against the Red Baron!  It was an unusual idea – sort of like Biggles meets dragons.  The Devil’s Triangle, my latest labour of love, is my twelfth novel.

Would you say your influences are literary or screen? What are the big inputs into Devil’s Triangle?

I would say my influences are widespread.  I’ve always read prolifically, so there are many influences there, some of which I’m probably not even consciously aware.  Although I’m not a great cinema goer, or film buff, I’ve seen a good number over the years and yes, they most certainly influence me as well.  I would say there is a good dash of Planet of the Apes, Jurassic Park (book and film) and The Land that Time Forgot in this new series.  Now that I think of it, there are some interesting parallels with a series by Julian May that I read and enjoyed in my teens that began with a book called The Many Coloured Land.  It was set in the future where a one way time portal is opened to the Pliocene era and many of society’s misfits undergo sterilisation and then pass through the portal to escape from modern society.

Highly-evolved lizards have been in vogue ever since the original V-the Visitors series about a covert invasion of Earth by reptilian aliens. Do you think there is something in our obsession with reptiles as the enemy?

I think there is something inherently scary about reptiles.  I have a fear (I wouldn’t say phobia, as I believe this to be a perfectly rational fear) of poisonous snakes.  I’m OK with handling pythons and grass snakes, but I’m terrified of their poisonous cousins.  Over the years I’ve stumbled across quite a few in different parts of the world, and although I’ve never been bitten, these incidents have only served to strengthen my fear.

In many of the stories I wrote as a young child, snakes were the bad guys.  The very earliest story I still have from my childhood (I would guess I was about 6 when I wrote it) is called ‘The Friendly Crocodile’ and guess what… the bad guy is a snake.  OK, so the hero was also a reptile in that story, as is Nipper in my new story, but I can’t help thinking there is something untrustworthy about reptiles that goes right back to the earliest times.  Satan is even depicted as a snake in Genesis.  No wonder we fear them.

This is the first time you’re writing in a ‘realistic’ contemporary setting, after a series of bestselling stories involving swords, sorcery and dragons. How different was it as a writer? And are you now converted to blending fact with fiction?

Oh wow!  ‘Different’ doesn’t begin to describe it, MG! For me it was like learning to write all over again.  I found it incredibly difficult to begin with, as I guess I’d become used to being able to just create my worlds the way I wanted them to be.  The constraints of a real world story make the research of even the smallest details mandatory, and I found having to constantly stop writing in order to check out trivia incredibly frustrating to begin with.Now that I’ve written one story in this way, I must admit that the results are interesting, and more than a little pleasing.  I think readers will identify with my characters more easily in this sort of story and I’m sure that I’ll continue to improve my storylines the more I write this way.  I’m not sure that ‘converted’ is the right word, but I think you’ll be seeing more of this sort of story from me in the future.

The ‘Bermuda Triangle’ phenomenon has been rather neglected of late, and may I say what a genius idea it was to resurrect it! Is there a reason things have gone quiet? has the mystery been quietly solved, do you think?

I think there will always be those who will be believers and those who will dismiss the mysteries as a load of bunkum!  Has the region gone quiet?  That depends on what you read, but in terms of media coverage, I suppose you would have to conclude that it has.  The most recent book I came across during my research was by an American author called Gian Quasar, published in 2004.  He claimed in the book that there had been over 1000 unusual incidents recorded in region during the 25 years running up to the publication of his book.  (This will obviously not include the famous incidents like Flight 19 and the USS Cyclops that were long before this.)  How accurate his stats are, I don’t know, but the book was certainly an interesting read and there are dozens of websites dedicated to the ‘ongoing’ mystery.

The quiet undercurrent of public interest is still there, but no one seems to have used the mystery as the focus of a fictional story for a long time.  I’m finding it fun to play with some of the reported phenomena of the region and use them as a vehicle for creating a science fiction/fantasy story.

Part of the realistic setting is that it requires an author to construct very credible family relationships within familiar constraints. I was impressed at how well you did this, how much time you were willing to give to the emotional impact of the disappearance of Clare (the missing mother). Was domestic drama an aspect that you relished writing? Did you get any inspiration for the relationships from your own family or extended family?

I’m not sure that I ever ‘relished’ the idea of writing domestic drama, but I do recognise that people like it.  Look at what the writers of Dr Who did with the families of the Doctor’s various assistants over the past few series and it’s easy to see that family drama is a theme that crops up again and again.  The popularity of soap operas seems never ending, so having an element of this in my ‘real world’ side of the story seemed essential if I was to give it broad appeal.

As for drawing aspects of the relationships from my own family – no, not really.  Though I did steal the names of the characters from members of my family!  My youngest sister is Clare, her husband is Matt, and their children are called Sam and Neve.  I changed the spellings of their names a little in the story and made the children twins, which the real Sam and Neve aren’t.  I did ask them first if they were happy for me to do this, of course.  Fortunately they thought it would be fun to have a special part in the story.  It has sort of made it their story, though none of the characteristics of the fictional characters are even close to the real people.

Parallel evolution is a fascinating topic! I will admit that a teeny part of me – the biochemist – did wonder why velociraptors would evolve to become human-like in the past 65 million years, when they had failed to go anywhere close to that in the previous 150 million. Evolution, as I understand it, happens because of external pressue. Organisms evolve out of a death-trap (by acquiring camouflage, for example) or they adapt to a lack of food. Velociraptors were already efficient predators, as far as we know, and likely at the top of the food chain or good as. So in the parallel universe, what might have happened to force them to evolve opposable thumbs and human-like intelligence? Is this a mystery that will be addressed in future stories?

I’m sure I read somewhere that had velociraptors been given enough time to continue to evolve, the projections were that they would have become more humanoid, and possibly even warm-blooded.  I couldn’t quote the source now.  It’s something I read sometime in the dim and distant past.   I wouldn’t claim to be an expert in this, but this article was in the back of my mind as I developed my ideas for the parallel earth.  I think the combination of this idea and the cunning and adaptability of the raptors in the film Jurassic Park combined in my mind to evolve the raptors in the way I have.  I don’t anticipate exploring the evolution process in future books, as the action will very much centre on the current political and social evolution (and revolution) that is about to shake the raptor world.  There will, however, be more on some of the historical events in our world that have created the Bermuda Triangle legend into the phenomenon it is today.

Devil’s Triangle is actually a clever, subtle satire on contemporary energy and pollution issues. Did you plan this political angle? Personally I love a good political/religious undercurrent in children’s books, but find that it can become wearing if it is too preachy. Devil’s Triangle gets the balance absolutely right!

Yes, the energy and environmental issues were very much planned.  The way the High Council in my alternate Earth seem set on covering up the true impact and ramifications of their global environmental problems from the wider raptor society was always intended to be a none too subtle parody.  However, I detest books that obviously set out to preach on political or religious issues, so whilst the problems are ever-present in the story, I try to keep the focus on the characters.  I’m delighted you feel I have the right balance.

At the end of Devil’s Triangle you’ve taken two characters to a horribly dangerous world from which it appears there is no return, with another character hell-bent on reaching the same destination. What is next for Sam, Niamh and Callum?

Things are set to change fast in Eye of the Storm.  Sam and Callum discover that someone (Amelia Earhart’s grandson as it happens) has been developing flying machines in the alternate world.  Callum instantly starts thinking this might offer them a way home, whilst Sam’s mum and her band of rebels are more set on stopping the raptors from gaining the power that flight brings.  Sam and Callum are therefore set to take part in a ‘Mission Impossible’ style kidnapping at the start of book two.  As for Niamh, well she manages to slip through the fingers of the police and goes back on the run… will she find a way to catch up with the boys?  I’m not saying.  What I will say is there is plenty of action ahead for all of them.

Dark Parallel meets Devils Triangle

Wow – what fascinating answers. I could have chatted all day long with Mark, but we kept having to sign our books and meet readers!

Hope you’ve enjoyed that as much as I did! If you still haven’t read my own interview by Mark, hop over to Trapped By Monsters, or Mark Robson’s blog – where you can find out more about Mark Robson and his books.

A Pied Piper leads Kennington villagers in protest at library cuts

Update on the Pied Piper March in support of the Kennington Library (see Save the Libraries – Kennington (Part 1 of 2))

I received a lovely letter from the organiser, Paddy Landau, as well as a CD of photos from the day. The event was a huge success! Councillor Keith Mitchell turned up to the tea party with the children and heard Korky Paul and I reading to the children of St Swithun’s Primary School. he then received baskets of petitions and posters from the children. In his address Keith outlined a number of options open to the council to make the savings required of them by the Coalition Govt.

The Pied Piper March was covered by local news, radio and TV. And here’s the GOOD NEWS! It seems to have worked – the plans to cut 20 of 43 libraries will be entirely rethought.

County tears up library closure plan

Funnily enough, Councillor Mitchell didn’t mention cutting salaries of highly paid council executives…of which I should stress that Councillor Mitchell is not one – he is an elected official. But there are people in Oxfordshire County Council who are paid top salaries to plan, for example, exciting new road schemes. Not to implement those plans – that would be people far down on the ladder.

Call me old-fashioned but I think that when your household runs out of cash you stop paying the architect to dream up that enormous extension and concentrate ONLY on repairs until there is money in the bank again…

That’s my tip for saving the libraries, anyway. Cut some salaries – just a bit! However, I suspect the extra revenue might be raised bythe return of Sunday and 24-hour parking charges, and the resumption of the speed cameras…

Katherine and I are interviewed by two teenage readers, Libby and Patrick Caffrey, who have been following both Katherine’s TROLL FELL and my Joshua Files series.

You can read the interview with me over at Katherine’s blog, Seven Miles of Steel Thistles.

Katherine and I have decided to swap blogs for the day. So here on mgharris.net it is all about Katherine and WEST OF THE MOON.

WEST OF THE MOON  – an abridged version of the TROLL FELL trilogy – is the kind of book that will have you wishing that you were a teenager again so that you could read it at the most humdinging age, hunting around for a teenager to give it to and then snuggling down to enjoy it all by yourself, the wretched teen can get her own book…

Katherine writes beautifully, perfectly pitched simplicity with just occasional, delicious use of unusual words that settle the reader right into the world of Norse mythology. The story opens when Peer, a twelve-year old boy is whisked away from his friends and neighbours after his father’s death. He’s taken to live with two evil uncles who are in league with trolls to steal children. Yet what could easily become a bloodthirsty tale of child abduction becomes an atmospheric, brooding and charming tale of a fishing village in the craggy north where trolls and humans try their best to get along, with occasional misunderstandings. There is darkness and cruelty in Troll Fell – but it comes from the lonely shapeshifter Granny Greenteeth and bullying Uncles Baldur and Grim.

It’s a heroic tale of family, young love and the bravery of two kids – Peer and Hilde, who eventually travel to the fabled lands ‘West of the Moon’ for their biggest challenge. And kept me thoroughly entertained these past few nights while I’ve been in Switzerland!

Katherine studied English at university, got a job, got married, had children and went to live in France and then in America. She began visiting libraries and schools, telling stories aloud. This turned out to be excellent practice for being an author! She moved back to England and began writing the stories that turned into the Troll Trilogy, ‘Troll Fell‘, ‘Troll Mill‘ – and ‘Troll Blood‘ (HarperCollins) which was recommended in the ‘Top 160 Books for Boys’ compiled by the School Library Association.

Katherine’s latest book Dark Angels (US title is The Shadow Hunt) has been  nominated for the American Library Association’s Best Fiction for Young Adults 2011.

FOUR BIG QUESTIONS FOR KATHERINE LANGRISH (by Libby and Patrick Caffrey)

1          How do your editors affect your work and have you always worked with the same editor?

What an interesting question!  Readers often assume an author simply writes the book and has it published in exactly the same form, not realising the role editors play in the process.  And as you might guess, the role of an editor varies from author to author and from book to book.

Some authors like their editors to be hands-on, involved from the outset, talking through plot, structure and even characters.  This can work especially well if the author is a planner, someone who likes to know where they’re headed well in advance.

Me, I’m the other sort.  I’m a kind of secretive hermit.  I try to tell people as little as possible about what I’m writing, and this includes my editors, who have to be very patient and restrained!  I usually spend a lot of time before I even begin, just privately thinking and mulling over my characters, getting to know them and their world.  Once I really know who they are, plus their surroundings and situation, I set off with them, usually with only the vaguest idea where we’re all heading.  That way, I stay interested.  (A friend once described this to me as ‘weaving my parachute on the way down’, but for me it seems to work!)  Only when the book is finished does my editor get to see it.  I re-draft as I go, so by the time I’ve got to the end, I’m usually fairly happy with it, and happy to show it.

At this point, my editor (and I’ve had several by now, so no, not always the same one) will read the manuscript.  She will come back to me with her overall impression (hopefully good!), and with some more detailed suggestions, perhaps for cutting passages here and there to improve the pace, or asking me to look again at whether a certain chapter works, or perhaps strengthening a character or two.  Often she’s 100% right; sometimes I don’t agree and we argue it back and forth a little: but her input is essential.  If there’s one rule in fiction, it’s that you can afford to cut out a lot more than you think!  So I really appreciate my editors, who, to a woman, have been professional, tactful, intuitive, and as keen as myself to make the book as good as it can possibly be.

2          The Troll Fell trilogy has a lot to do with folklore – is this something you were brought up with as a child or did you have to research it while writing?  If so, where did you find information from?

The answer is, a bit of both.  Yes, I grew up reading fairytales, and was always interested in folklore and legends.  They creep into stories even for quite little children more often than you’d think.  One of the earliest books I remember reading all by myself was ‘The Tale of Mrs Tiggywinkle’ by Beatrix Potter.  If you think about that story for a moment – it’s about a little girl, Lucie, who runs off up the mountain called Cat Bells in the Lake District, trying to find her pocket handkerchief (her quest).  She finds a door in the hillside, goes in, and meets Mrs Tiggywinkle who is obviously a hedgehog – we can see that from the picture! – but who is also a kind of fairy laundress.  While there is nothing threatening about the story (or is there?  Those prickles poking out of Mrs Tiggywinkle’s gown are a bit unsettling), Beatrix Potter is clearly bringing together all sorts of folklore here: stories about children who run away or are taken away to fairyland, the underground elfland under the hill – and who may not always return safely…  And behind the comfortable figure of the fairy laundress is the more dangerous one of the Washer at the Ford, the banshee, the fairy laundress who washes the bloodstained clothes of those who will die in battle.  I can’t pretend I was aware of all those echoes when I read the book at the age of five or six, but I was certainly aware of a sort of mysterious depth to the story.  And that was why I loved it.

But going back to my own books, for ‘Troll Blood’, the third part of ‘West of the Moon’, I needed to do a great deal of research into the folklore of a Native American people, the Mi’kmaq of New Brunswick and Nova Scotia. I spent many, many weeks in Oxford’s Bodleian Library, reading ancient copies of journals like The American Anthropologist and the Journal of American Folklore. Often these included direct translations of stories told by named individuals to the person who wrote them down – and therefore authentic.  And I avoided like the plague volumes with generically vague titles like ‘Legends of the North American Indians’, which almost never provide sources, and sometimes don’t even say from which tribe or nation the story is supposed to come.   (If you think how big North America is, you can see that talking about ‘Indian legends’ is about as useful as putting Greek and Scandinavian mythology together and labelling them ‘European legends’.)

3          You just released ‘West of the Moon’, the abridged version of the Troll Fell trilogy – how did you decide which parts to leave out and why did you feel the need to abridge it?

Actually I believe that ‘West of the Moon’ is greater than the sum of its parts… I wouldn’t so much call it an ‘abridged’ edition, as a ‘revised’ one.  ‘Abridged’ always suggests to me something rather lopped and truncated, and I did not want that to happen!  No episodes or characters have been cut.  What I did get rid of was a lot of unnecessary repetition, especially in the first third of the book, ‘Troll Fell’, which was, in places, a little wordy!  To me, this new version is tighter and runs more smoothly as one three-part story.  I hope readers will agree!

I was also able to lose all those bits you have to put in to a sequel, so that readers who don’t know the first book will be able to understand what’s going on. You know what I mean, the bits that go something like ‘But Harry was no ordinary boy! Ever since the extraordinary events of his twelfth birthday, when an invitation to become a pupil at Hogwarts’ School of Witchcraft and Wizardry was delivered to him by owl post at the house he shared with his horrible relatives, the Dursleys…’

4          Hardback, paperback or Kindle – and why?

Oh, ideally all of them.  First of all, a hardback book is just such a lovely, durable thing.  There are hardcover books I owned as a child, which are sitting on my bookshelves right now in perfectly good condition and have been read by my own children, and will still be there in twenty years time to be read by my grandchildren, should I ever have any.  And I believe the next generation will still be reading real books, too – alongside Kindles, or whatever will have replaced Kindles by then.

Because real books are so handy – especially paperbacks.  They are relatively cheap to produce and buy and pass along – and it doesn’t matter too much if you drop them in the bath, or get sand in the pages, or leave them on the floor to be stepped on or chewed by the dog, or out in the garden overnight to be rained on…

All of my books are available on Kindle as well as in traditional formats.  But I haven’t got a Kindle of my own yet, though I’m sure it’s only a matter of time.  It will be useful if I go on holiday (cutting down on the pounds of book-weight I normally cart about with me). But I will have to be careful with it.  I must NOT leave it lying around on the floor, or out on the patio catching dew. I must not balance it on the edge of the bath while I lie back up to my ears in the nice hot water.  Perhaps owning a Kindle will improve my character and make me a better, tidier person… and perhaps not.

THANK YOU TO KATHERINE FOR VISITING MGHARRIS.NET ON THE WEST OF THE MOON BLOG TOUR!

You can follow Katherine’s blog tour tomorrow down at Scribble City Central.